Tarihin José Emilio Pacheco: Rayuwarsa da Ayyukansa

Tare da salo na musamman, José Emilio Pacheco, fitaccen marubucin adabin Mexican na ƙarni na XNUMX, kuma ƙwararren ƙwararren ƙwararrun waɗannan lokutan, ya zama ɗaya daga cikin fitattun mambobi na abin da ake kira Tsakanin Ƙarni, saboda adabinsa. al'ada. da kuma waka hankali. Muna gayyatar ku don gano cikakkun bayanai na Biography na Jose Emilio Pacheco.

Biography na Jose Emilio Pacheco

La Biography na Jose Emilio Pacheco Ya gaya mana cewa wannan babban marubuci ɗan María del Carmen Berny Abreu da José María Pacheco Chi ne. An haifi José Emilio Pacheco Berny a kan titin Guanajuato 183 a unguwar Roma ta birnin Mexico a ranar 30 ga Yuni, 1939, yana zaune a can tsawon lokacin yarinta, sannan ya koma birnin Veracruz inda ya zauna tare da kakanninsa.

Ƙaddamar da shi zuwa wallafe-wallafen ya samo asali ne saboda wasu muhimman abubuwa guda biyu, na farko shine gano wani babban ɗakin karatu na iyali, na biyu kuma, kwarewa tare da Farfesa Moreno Tagle, wanda ya hadu da shi yana da kimanin shekaru goma sha biyar kuma wanda ya jagoranci. shi a cikin karatunsa na farko da kuma gaskiyar sanin wallafe-wallafen Mexican.

Duk da haka, sha'awar wallafe-wallafen ya fara ne tun yana ƙarami, sa'ad da yake ɗan shekara 8 ya halarci wasan kwaikwayo na kiɗa na Don Quixote de la Mancha, wanda Salvador Novo ya jagoranta, a Palacio de Bellas Artes a Mexico City; kuma bisa ga kalamansa, wannan nuni ya nuna masa cewa harshen da aka haife shi a cikinsa «na iya zama ga waɗanda suka san yadda ake amfani da shi, wani abu mai kama da kiɗa na wasan kwaikwayo, launuka na tufafi da kuma gidajen da suke. haskaka matakin».

A cewar Biography na Jose Emilio Pacheco, ya auri 'yar jaridar Mexico kuma marubuciya Cristina Romo Hernández a 1962, wanda yake da 'ya'ya mata biyu: Laura Emilia da Cecilia. Cristina Romo Hernández ta banbanta kanta ta hanyar rubuta labaran yara marasa adadi kuma ta sami lambobin yabo masu mahimmanci da shahara, gami da lambar yabo ta aikin jarida ta kasa.

Marubucin José Emilio Pacheco ya mutu a ranar 26 ga Janairu, 2014, yana da shekaru 74, a Cibiyar Nazarin Kiwon Lafiya ta Kasa da Abinci a Mexico City, saboda kamawar zuciya. An kwantar da José Emilio Pacheco a ranar da ta gabata bayan fadowa kuma ya yi karo da littattafan da aka adana a cikin bincikensa yayin da ya gama rubuta shafinsa na "Inventory" na "Proceso" na mako-mako, yana bugun kansa da karfi. "Ya tafi lafiya," in ji 'yarsa ƙaunataccen Laura Emilia Pacheco. Ya shiga tarihi a matsayin daya daga cikin manyan kasashen Latin Amurka tare da wasu marubuta irin su Chavez Nogales.

tasirin adabi

Bugu da kari, da Biography na Jose Emilio Pacheco yana kawo mu kusa da waɗanda kuka fi so. A lokacinsa ya sadaukar da kansa wajen karanta ayyukan marubuta Julio Verne, Oscar Wilde, Manuel Payno, Amado Nervo, Jorge Luis Borges, Alfonso Reyes da Rubén Darío, ba tare da ambaton ziyarar da wasu fitattun marubuta suka yi ba kamar su. Joseph Vasconcelos ne adam wata, Héctor Pérez Martinez, Juan de la Cabada, Juan José Arreola, da sauransu, zuwa gidan iyayensa, inda yaron José Emilio bai gaji da sauraren su da koyo daga gare su ba, da abubuwan da suka faru.

Tun yana yaro, kakanninsa sun ba shi labari mai suna Quo Vadis, kuma ya ƙirƙiro sigar yara don ya wuce inda marubucin ya tsaya, yana nuna yadda zai iya ci gaba da abin da wasu suka fara.

Tun daga wannan lokacin, tarihin José Emilio ya ci gaba da bincika duniyar wakoki, tarihin tarihi, litattafai, gajerun labarai, ba da labari, fassarar, da kuma sukar wallafe-wallafe a cikin shekaru masu zuwa na rayuwarsa, wanda ya bayyana tare da manyan mawaƙa na Latin Amurka irin su Carlos Monsiváis, Eduardo Lizalde, Sergio Pitol, Juan Vicente Melo, Juan, Salcdo Garcdo, da dai sauransu.

Ya fara rubuce-rubuce a lokacin samartaka, yana buga labaransa a jaridu da mujallu na dalibai a Makarantar Preparatory a 1955 mai suna 'Proa', a Mérida tsakanin shekarun 1956 da 1958 ya rubuta a cikin 'Diario de Yucatán' da 'Diario del Sureste'; A Faculty of Law ya rubuta kasidun ɗalibin 'Índice' (1957) da 'Letras Nuevas', ƙarshen Falsafa da Wasiƙu na Jami'ar Mai Zaman Kanta ta Ƙasa ta Mexico (UNAM).

Ya kasance wani ɓangare na hangen nesa na bohemian da na duniya na zamaninsa, yana magana da jigogi kamar duniyar yara da fantasy, tarihi da lokacin cyclical, har ma da birni da mutuwa kanta. Labarinsa ya yi fice wajen muhawarar rayuwa a wannan zamani, da kuma amfani da harshe na wucin gadi wanda ba shi da sauƙi a cikin adabi da fasaharsa.

Karatunsa

Bayanin bayanan Biography na Jose Emilio Pacheco Sun bayyana mana cewa ya karanta Law and Literature a UNAM (National Autonomous University of Mexico) kuma a nan ya fara aiki a mujallar Medio Siglo, ya yi watsi da karatun sa yana ɗan shekara 19 don ya sadaukar da kansa gabaɗaya ga adabi.

Ya kafa jagorancin kari na Ramas Nuevas na mujallar Estaciones da ma'aikatan edita na UNAM (Jami'ar Kasa da Kasa ta Mexico). Ya kuma yi aiki a matsayin babban editan kari na México en la cultura.

Ya kuma jagoranci ɗakin karatu na ɗaliban jami'a kuma ya kasance memba na Colegio Nacional tun 1986. Ya yi aiki a matsayin mai bincike a Sashen Nazarin Tarihi a INAH (Cibiyar Nazarin Anthropology da Tarihi na Ƙasa), inda aikinsa ya mayar da hankali kan sake gina rayuwar al'adun Mexico a cikin XNUMXth da XNUMXth century. Wannan ya rinjayi José Emilio Pacheco don fadada hangen nesa game da rayuwa, wanda ke nunawa a yawancin ayyukansa. Daga cikin wannan aikin, an fito da litattafai daban-daban, waɗanda yawancinsu an fassara su zuwa harsuna daban-daban.

Ya kasance malami a jami'o'i daban-daban a Mexico, a Jami'ar Maryland (College Park) da Jami'ar Essex, da sauransu a Amurka, Kanada da Ingila.

Kashin bayan ayyukansa shine shudewar zamani, rayuwa da mutuwa. A nasa bangaren, aikinsa na waka da na ba da labari ya ginu ne a kan matsananciyar tsarkakewa na kayan ado. Don yin wannan, yana gabatar da batutuwa irin su asarar ƙuruciya da alaƙar motsin rai. Yawancin ayyukansa suna nuna damuwarsa da sadaukarwar zamantakewa da tarihi ga ƙasarsa.

Kasidunsa da kasidunsa suna da alaƙa da kasancewa a kan adabi, magana da lamuran siyasa da zamantakewa. An rubuta ayoyinsa a cikin harshen yau da kullum wanda ya sa su zama masu saukin yaudara, kuma waƙarsa yakan zama abin ban tsoro.

Ayyukan Jose Emilio Pacheco

Wani fasalin ayyukansa na yau da kullun shine sabuntawa da sake dubawa akai-akai, tunda ya ɗauki adabi a matsayin mai ƙarfi da canzawa. José Emilio Pacheco ya fahimci wallafe-wallafe a matsayin wani abu da ke motsawa, canje-canje, wanda ya sa ya sake karantawa, ingantawa da kuma sake nazarin ayyukansa, a cikin sha'awar zargi da kansa. Tunaninsa na sake rubutawa ya ƙunshi tattaunawa tare da rubutun baya.

A bikin bayar da lambar yabo ta Cervantes, ya yi tsokaci cewa: "karanta da yawa, rubuta da yawa, buga kadan", a hakikanin gaskiya littattafansa, wadanda ba su da yawa, misali ne na sauki mai wuya, bai daina gyara kansa ba. Domin abin da ya yi la'akari da rubuce-rubucen da ba su da iyaka, aikin da aka gyara kullum ba kawai ta hanyar marubucin ba, har ma ta hanyar hulɗa da masu karatu.

José Antonio Pascual Rodríguez, memba na juri na Cervantes Prize kuma wakilin Royal Spanish Academy (RAE), yana nufin José Emilio Pacheco, ya bayyana haka:

"Mawaƙin mawaƙi na musamman na rayuwar yau da kullun, tare da zurfi, 'yancin tunani, ikon ƙirƙirar duniyarsa, nesa mai ban mamaki daga gaskiya lokacin da ya cancanta, da amfani da harshe… wanda ba shi da tabbas"

José Emilio Pacheco ya bayyana fassarori tare da ma'anar kusanta, a gare shi yin fassarar wani aiki ne mai ƙirƙira wanda ya yi tare da wannan tsaka-tsakin, ba wai kawai canja wurin daga wannan harshe zuwa wani ba, amma kuma yana amfani da kerawa.

Baya ga kusantar rubutu ga manya, ya sadaukar da kansa don yin fassarar a matsayin wani aiki na ƙarin aiki, rubutu da niyyar isa ga yara, yana da masaniyar cewa an sami wallafe-wallafen tun yana ƙanana. A matsayin misali na waɗannan matani muna da "Alice ga yara" na Lewis Carrol, "Littafin kacici-kacici" na Mónica Beisner, "Circos" na Vicente Rojo, da kuma "The mirror of echoes" na Yesu Cisneros.

José Emilio Pacheco ya yi fice wajen yin amfani da kalmomi kai tsaye da sauƙi, tawali’u da na al’ada a cikin ayyukansa, waɗanda suka bambanta da yare na alama da sauran manyan mawaƙa na lokacin suka yi amfani da su. Ayoyinsa ba su da wani nau'in adon banza, kuma an fallasa su a cikin harshe na harshe, wanda ya sa su kasance masu sauƙi.

Soyayya takan zama wani sinadari da ake iya gani a ko da yaushe a matakai daban-daban, a cikin aikinsa na waqoqinsa da na riwaya; misali a cikin littafinsa mai suna “Las Batallas en el Desierto” ya ba da labarin soyayya a farkon samartaka kamar yadda yake a cikin “A farkon jin dadi” gami da jigogin batsa a wasu wakokinsa.

Ya shiga cikin mujallu na al'adu daban-daban da kari, irin su "La cultura de México, siempre!", wanda Fernando Benitez ya jagoranta, wanda ya ɗauki jagoransa kuma babban abokinsa, yana ba da gudummawa ga aikinsa yana samun babban inganci kuma ya zama sananne.

Shekaru da yawa, ya yi aiki a matsayin mai ba da gudummawa ga mujallar ra'ayi na mako-mako na Mexico da nazarin siyasa da zamantakewa da ake kira "Proceso." Kuma a cikin jaridar Excelsior, a cikin ƙarin al'adunta na Diorama, ya yi fice a cikin shafinsa na "kayayyaki", kasancewar da farko wani shafi daban-daban, don zama na yau da kullun, jigon da aka maimaita shi ne adabi da mawallafansa; "Inventory" ya zama daya daga cikin mafi ban mamaki da kuma m ayyukan José Antonio Pacheco, daya daga cikin manyan dalilan da aka bayar da kuma gane shi da National Jarida Prize a 1980.

A ƙasa za mu yi dalla-dalla ayyukansa, inda za mu fayyace nau'ikan waƙoƙi, gajerun labarai, litattafai, labarai, fassarar, da tarihin tarihi. Za mu yi wannan jeri bisa tsarin lokaci.

Mawaƙa

Babu shakka waƙarsa ce irin tasa, tare da tsantsar tsaftar abubuwan ado kasancewar siffa ta farko na aikinsa na waƙa, wanda aka rubuta a cikin yau da kullun, harshe mai sauƙi wanda kowane nau'in mai karatu zai iya fahimta. Ya kasance yana jaddada sadaukarwar sa ta zamantakewa da siyasa ga kasarsa, yana jaddada batutuwan rayuwa, mutuwa, da shudewar zamani. Bugu da ƙari, da yawa daga cikin waƙoƙinsa na waƙa suna cike da ban dariya, baƙar fata da ban dariya.

Ga José Emilio Pacheco rubutun shine kasancewarsa. "Yaren da aka haife ni a cikinsa shine kawai dukiyata", in ji shi a cikin 2010 lokacin da aka ba shi babbar lambar yabo ta Cervantes. A cewar Pacheco hangen nesa, mawaƙin shine mai sukar zamaninsa kuma masanin ilimin lissafi wanda ya damu da ma'anar tarihi, tarihi da zargi dole ne su tafi tare. Ya tabbata cewa rubutu yana da mashahurin hali, cewa ba shi da takamaiman marubuci kuma na kowa ne.

A cikin aikinsa na "Kada ku tambaye ni Yadda Lokaci ke wucewa," ya gabatar da rashin jin daɗi da mahimmanci a matsayin babban halayensa, wanda ke nuna muhimmin canji a cikin aikinsa na waƙa. Ayyukansa "Irás y no volveras" yana nuna sha'awa ta musamman don yin Allah wadai da rashin adalci, kamar yadda aiki ne na halin zamantakewa.

A cewar Biography na Jose Emilio Pacheco, Shahararren marubucin adabin Mexican ya bar mana ayyuka masu zuwa a matsayin gadon waka:

• Abubuwan Dare (1963)
• Sauran Wuta (1966)
• Kar ku tambaye ni Yadda Lokaci Yake wucewa (1969)
• Za ku tafi kuma ba za ku dawo ba (1973)
• Tsibirin Adrift (1976)
• Tun daga nan (1979)
• Ayyukan Teku (1983)
• Ina kallon duniya (1987)
• Birnin Ƙwaƙwalwa (1990)
• Shiru na Wata (1996)
• Wandering Sand (1999)
• Karni na baya (2000)
• Ba dade ko Ba dade (Wakoki 1958-2009) (2009; cikakken waka, FCE)
• Kamar Ruwan sama (2009)
• Zamanin Duhu (2009)
• Madubin Echoes (2012)

Tatsuniyoyi

Labarunsa sun yi fice don kasancewa kwantena masu ƴan cikakkun bayanai na ado da kuma ga taƙaitaccen su. José Emilo Pachecho ya ba mu damar karanta cikin labarunsa:

Iska mai nisa (1963)

Daga cikin labarun da José Emilio Pacheco ya rubuta akwai "El viento lejano" (The Distant Wind), wanda aka rubuta a cikin 1963, wanda ke nuna yara suna koyan rayuwa a cikin yanayi mara kyau da maras kyau, da kuma samari da ke fuskantar sha'awar soyayya ta farko da kuma kunya na raini. A cikin wannan aikin, ƙi, tashin hankali, da barazana suna bayyana a ɓoye lokacin da ba a zata ba.

Ƙa'idar jin daɗi (1972)

A nata bangaren, The Pleasure Principle yana kunshe ne da gajerun labarai guda biyar da gajeriyar labari, inda ake bayyana soyayya da jima'i a cikin wani yanayi na karkata, karya, da lalata. Sauran labarun suna bayyana abota, ƙiyayya da dogaro, ana iya ɗaukarsu azaman labaran ban mamaki na gaskiyar da ba za a yarda da ita ba, wanda duk da canzawa kowace rana, ainihin ya kasance iri ɗaya.

Jinin Medusa da Sauran Tatsuniyoyi (1956 da 1984)

Jinin Medusa ba José Emilio Pacheco ne ya ɗauki cikinsa a matsayin littafi ba, sai dai shi ne haɗar labaran da aka rubuta a cikin shekarun farko na aikinsa, waɗanda aka buga a farkon shekarunsa a cikin mujallun da ba a san su ba, da kuma wasu masu yawa. ba a sani ba, sun tattara.

Novelas

• Za ku mutu a nesa (1967)
• Yaƙe-yaƙe a cikin Hamada (1981)

Morirás lejos wani labari ne kuma saboda haka yana da hasashe, an gabatar da shi a matsayin gwaji mai ƙarfin gaske wanda ke kula da matakan labari daban-daban, wanda ya nuna labarin mutumin da ke zuwa wurin shakatawa a kowace rana kuma yana iya zama dan banga wanda ke lura da ayyukan eme, mutumin da ya ɓoye a cikin ɗaya daga cikin gidaje makwabta kuma wanda, kamar yadda ya yi zargin ana leƙen asirinsa, yana ƙoƙari ya tabbatar da wasu.

Ba a sani ba ko Eme mai laifin Nazi ne, ko kuma a karshe dayan ya gano shi a cikin dogon bincike da aka kwashe shekaru ana yi. Wannan halin yanzu yana kiran yakin daular Romawa da Yahudawa da kuma lalata Haikalin Urushalima kuma ya ci gaba da kori daga Tasalonika, lalata ghetto na Warsaw, wanda ya ƙare a sansanonin halakar inda Nazi Jamus ke yin kisan kare dangi.

Yaƙe-yaƙe a cikin Hamada wani ɗan gajeren labari ne na ƙwararru wanda ke ba da labari mai daɗi da ɗaci na ƙauna da ba zai yuwu ba, cike da ban sha'awa, tare da ta'addanci na gama-gari da na yau da kullun waɗanda masu fafutuka suka fi so su yi imani da shi wani abu ne mai ban mamaki da ban mamaki, wanda ya haɗa da abubuwa kamar asarar ƙuruciya, cin hanci da rashawa na zamantakewa da siyasa, farkon Mexico na zamani da kuma ficewar ƙasar.

articles

• Inventory I. Anthology. 1973-1983 (2017)
• Inventory II. Anthology. 1984-1992 (2017)
• Inventory III. Anthology. 1993-2014 (2017)

Fassara

• Hudu Quartets, na TS Eliot
• Abin da Yayi kama da Samuel Beckett
• Rayuwar Imani, na Marcel Schwob
• Deep, ta Oscar Wilde
• Motar Titin Mai Suna Desire ta Tennessee Williams

Anthology

Anthology na zamani (1884-1921) (1970). Mexico, UNAM: José Emilio Pacheco ya tattara a cikin "Anthology of Mexican Modernism" da matani waɗanda har abada sun canza ma'anar kalmar shayari; A cikin waɗannan matani, an zana calligrams, an tattara haikus na Mexico na farko, kuma ayoyin batsa na farko sun bayyana, suna nuna birane, ƙauye, da yanayin yanayin ƙasar.

Wannan tarihin an san shi da amfani da adabi ba ta siyasa ba. Waƙoƙin Manuel Gutierrez Nájera da Ramón López Velarde, gami da mawaƙa daga ƙungiyar taurarin zamani irin su Francisco Gonzalez León, Uba Alfredo R. Placencia, Manuel José Othón, Luis G. Urbano, da Salvador Díaz Miron.

fim da kiɗa

An yi nasarar yin ayyukan José Emilio Pacheco a cikin fim, kiɗa, da rediyo, wanda ya ketare iyakokin da'irar adabi. A cikin 1972, "The Castle of Purity", wanda Arturo Ripstein ya jagoranci, kuma José Emilio Pacheco ya rubuta rubutun, inda 'yan wasan kwaikwayo masu zuwa suka halarci: Claudio Brook, Rita Macedo, Arturo Beristáin, Diana Bracho, María Rojo, Gladys Bermejo, da sauransu.

A cikin 1987 an samar da wani karbuwa ga labari "Yakin Hamada", wanda ake kira "Mariana, Mariana" wanda Alberto Isaac ya jagoranta, kuma Vicente Leñero ya jagoranta, tare da halartar 'yan wasan kwaikwayo Luis Mario, Gerardo Quiroz, Pedro Armendáriz Jr. , Aarón Hernán, Saby Kamalich, and Elizabeth Aguilar.

Sa'an nan kuma, a cikin 1992, an yi wani kade-kade na kade-kade bisa labarin littafin "Las Batallas en el Desierto" mai suna "Las Batallas" wanda aka gabatar a cikin Café Tacuba guda ɗaya na ƙungiyar masu luwadi.

A cikin 1995, ƙungiyar mawaƙa ta Nuevo León Symphony, Season of Young Values, ta fito da wani aikin nuna wariyar launin fata don tenor mai suna "El descanso del fuego" (Sauran Wuta), da ƙungiyar mawaƙa ta mawaƙa ta Monterrey mawaki Gustavo A. Farías García, wanda ya haɗa da wakoki daga littafin mai suna José Emilio.

A cikin shekarun 1961-1964, an gudanar da wani shiri na mako-mako na tattaunawa da sharhi kan labaran adabi a gidan rediyon UNAM (Jami'ar mai cin gashin kanta ta Mexico) mai suna "Tsakanin littattafai" tare da halartar Carlos Monsivais, Rosario Castellanos, Juan Vicente Melo. da Sergio Pitol.

Tsakanin 1961 zuwa 1969, an buga "Cine verdad", marubucin tarihin mujallar fina-finai na mako-mako, littafin al'adu na cinemas na Mexico. Gabriel García Márquez, Julieta Campos, Carlos Fuentes, Luis Suárez, da Juan Dutch sun halarci.

Kuma a ƙarshe, a cikin 1968, an fitar da kundi tare da gabatarwar Eduardo Lizalde ga jama'a, tare da Voz Viva de México, daga UNAM (Jami'ar National Autonomous University of Mexico).

Awards

Yana da kyau a lura cewa José Emilio Pacheco ya sami ƴan kyaututtuka da karramawa fiye da yadda ya cancanta a rukuninsa, kasancewar shi marubuci ne mai hankali kuma mai ra'ayin mazan jiya. Duk da haka, aikinsa ya ba shi kyauta mai mahimmanci kuma mai mahimmanci, wanda muka lissafa a kasa:

• Kyautarsa ​​ta farko ita ce Magda Donato 1967 don Za ku mutu
• Aguas Calientes National Poetry Award 1969 don Kar ku tambaye ni yadda lokaci ke tafiya
• An ba shi kyautar Xavier Villaurrutia a cikin 1973 don Ka'idar jin daɗi
• Doctor Honoris Causa na Jami'ar Sinaloa mai cin gashin kansa (Nuwamba 16, 1979)
• Bugu da kari, ya ci lambar yabo ta 1980 na Aikin Jarida ta Mexiko don Yada Al'adu.
• Malcolm Lowry 1991 don aikinsa (Literary Essay)
• Kyautar ƙasa don Kimiyya da Fasaha a Fannin Harshe da Adabi 1992
• José Asunción Silva don mafi kyawun littafin waƙa a cikin Mutanen Espanya da aka buga tsakanin 1990 zuwa 1995
• Mazatlan na Adabi 1999
• An ba shi kyautar José Donoso Ibero-American Prize for Letter a 2001.
• Ya kuma sami lambar yabo ta kasa da kasa ta Octavio Paz don waka da Essay 2003
• Waƙar Ibero-Amurka Ramón López Velarde 2003
• Alfonso Reyes International Award 2004
• An ba shi kyautar 2004 Pablo Neruda Ibero-American Poetry Prize.
• Federico García Lorca 2005
• Memba mai girma na Kwalejin Harshe na Mexico (Mayu 23, 2006)
• Kyautar Sarauniya Sofia don Waƙar Ibero-American 2009
• Sun kuma ba shi lambar yabo ta 1808, wanda gwamnatin gundumar tarayya ta ba shi (25 ga Yuni, 2009).
• Lambar Zinariya don Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararrun Ƙwararrun Ƙwararrun Ƙwararrun Jama'a ta Mexico ta bayar (28 ga Yuni, 2009)
• Kyautar Cervantes 2009
• Digiri na girmamawa daga Jami'ar Nuevo León mai zaman kanta (Satumba 11, 2009)
• Ya kuma sami digiri na girmamawa daga Jami'ar Campeche mai zaman kanta (Maris 3, 2010).
• Digiri na girmamawa daga Jami'ar National Autonomous University of Mexico (Satumba 23, 2010)
• Alfonso Reyes Award 2011, daga El Colegio de México

Daga cikin shahararrun maganganunsa:

«Na zaɓi zama marubuci kuma a wannan lokacin har yanzu ni ɗan koyo ne

wanda bai san komai na aikinsa ba kuma ga wanda kowane shafi

shine kuma na farko kuma yana iya zama na ƙarshe"

ƙarshe

Mai karatu na tarihin José Emilio Pacheco tun lokacin yaro, yana cikin ƙarni na ƙarshe waɗanda suka sami duniya ta hanyar rediyo. Abokansa da Carlos Monsiváis ya samo asali ne tun zamanin jami'a, da kuma gudunmawar farko ga mujallu daban-daban, ciki har da Medio Siglo da Estaciones. A cikin 1958, an buga tarin gajerun labarai "Jini na Medusa"; daga baya a cikin 60s, tarin wakoki "The Elements of the Night," "Sauran Wuta," da kuma aikin alama a cikin ayyukansa na lyrical "Kada ku tambaye ni Yadda Lokaci Ya Wuce" ya bayyana.

Littafin littafin nan "Za ku mutu mai nisa" ya samo asali ne a cikin wannan shekaru goma, wanda aka ce yana daya daga cikin mafi kyawun ayyukan ba da labari na lokacin. Laƙabi irin su "Za ku tafi kuma ba za ku dawo ba", "tsibirin tsibirai", "Albam na zoology", "Shirun da wata", ko labari mai ban sha'awa "Yaƙe-yaƙe a cikin hamada" da labarun da aka tattara a cikin "The farkon jin daɗi" da "iska mai nisa" ya sa José Emilio Pacheco ba kawai marubucin marubuci ba ne amma ɗaya daga cikin muryoyin da ke nuna halin da ake ciki a Mexico, birnin da ya dogara da lamiri na gama gari na fasinjoji na karni na XNUMX.

Amma ayyukansa sun zarce iyakoki na labari da waka, kamar yadda aikinsa na edita, marubuci, marubuci, da marubucin tarihi ya nuna. Har ila yau, yana da kyau a nuna yadda ya yi a matsayin mai fassara, fuskokin da suka sa José Emilio Pacheco daya daga cikin manyan mashahuran wallafe-wallafen Mexican.

Ayyukan wallafe-wallafen da aka nuna a cikin tarihin José Emilio Pacheco an gane su tare da mafi mahimmancin kyaututtuka, irin su Javier Villaurrutia Prize, Aguas Calientes Poetry Prize, da kuma lambar yabo ta kasa don wallafe-wallafe da harsuna da José Asunción Silva Prize don mafi kyawun littafin wakoki a cikin Mutanen Espanya, da aka buga a tsakanin 1990 zuwa 1995. Ya shafe yawancin rayuwarsa a cikin jimla da sadaukarwa marar iyaka ga wallafe-wallafe, don adana ƙwaƙwalwar ajiyar Mexica, da haɓaka al'adu.

Idan kuna son taƙaitaccen bayanin Biography na Jose Emilio Pacheco Muna gayyatar ku ku kalli bidiyo na gaba: